Globally renowned for her exploration of identity and gender through the performance of meticulously observed personas for the camera.

Clark remained under-acknowledged for much of his career, but he received late recognition in his lifetime, a recognition that continues to grow. Stylistically, his work bridges the physicality and spontaneity of Abstract Expressionism with the structured clarity of hard-edged abstraction, cementing his significance in postwar painting.

Presents a new series of paintings and large, related works on paper that take up the theme of the double. In the works on view, Ackermann does not just evoke the presence of a dual entity but unveils its structure. Innovative in their unexpected combinations of materials and defined by a sharp conceptual tension, these works draw inspiration from two giants of French culture—Jean-Luc Godard and Paul Virilio. The results are as unsettling as they are exacting.

Through paintings, sculpture, site-specific murals and installations, Michaela Yearwood-Dan endeavors to build spaces of community, abundance and joy. In these multiple mediums, Yearwood-Dan explores the quieter tones of femininity and queer community guided by deep intuition.

With ‘A Natural History of the Studio,’ his first exhibition with Hauser & Wirth in New York, renowned South African artist William Kentridge will present his acclaimed episodic film series ‘Self-Portrait as a CoffeePot’ with more than seventy works on paper integral to its creation and an array of sculptures at 542 West 22nd Street. This immersive exhibition is the first ever to present all the drawings from this filmic masterpiece, hailed by critics as a moving, witty and ultimately wondrous synthesis of the personal and the political, the individual and the universal.